The Engraver's Reference Engraving and personalisation reference

The Engraver's Reference

A reference on engraving and personalisation: laser, rotary and hand engraving, sandblasted glass, marked metals, house nameplates, statutory signage and presentation pieces.

How things get marked, and why the marking lasts

Techniques

How a mark is actually made: laser, rotary, hand engraving and abrasive blasting, and what each one does to the surface it touches.

Rotary and diamond drag engraving

The mechanical processes: a spinning cutter that removes a chip, and a non-rotating diamond that ploughs a line. Different tools, different marks, …

Hand engraving and the graver

The oldest of the processes, and the only one that produces a bright cut. What a graver is, how the craft connects to goldsmithing and printmaking, …

Laser marking metal without cutting it

Annealing, dye change and ablation mark metal while leaving the protective layer intact. On stainless steel and anodised aluminium that distinction is …

Materials

What gets engraved, and how each material behaves when you cut, burn or blast it.

Engraved glass and glassware

Wheel engraving, diamond point, acid etching, blasting and cameo work — five ways of cutting glass, what each one looks like, and how to tell them …

Silver and silver-plated pieces

Why silver is the engraver's material, what sterling actually means, how plate behaves differently under a graver, and where the law steps in.

UK hallmarking: what the marks mean

A UK hallmark is a legal declaration of fineness, not a decoration. What the three compulsory marks are, why the date letter is now optional, and what …

Anodised aluminium

The anodic layer is a grown ceramic, not a paint. Understanding how it is formed, dyed and sealed explains exactly why some marking methods destroy it …

Stainless steel

Stainless is not stainless by composition alone — it is protected by a self-healing passive film. Cutting through that film is the central question in …

Slate and stone

Slate is a metamorphic rock that splits into flat sheets and shrugs off weather. That combination is why it has carried outdoor lettering in Britain …

Signage

House nameplates, shop fascias, plant labelling and statutory safety signs — and the UK rules that decide what each one has to say.

House nameplates and numbers

Displaying your address is a legal duty in England and Wales, not a decorative choice. What the 1925 Act requires, and what actually makes a nameplate …

Statutory safety signs

The 1996 Regulations, BS EN ISO 7010 and BS 5499. What a safety sign is legally for, why it is the last control rather than the first, and which …

Presentation

Business gifts and awards: what makes an engraved object worth keeping, and the UK rules that sit behind corporate gifting.

Journal

Notes on personalisation, lettering and decorating with things that carry a mark.

Types of engraving used nowadays

What is actually in use in a working shop today: fibre and CO2 lasers, rotary and diamond drag, abrasive blasting and hand work — and which jobs each …

Different types of engraving style

Style in engraving is not font choice. It is the physical character of the cut — bright, ploughed, burned or eroded — and each process can only …

Different types of wall art

Flat art, relief, textile and object — four families of wall art that behave differently in a room, with a note on why tapestry was once the most …